Plan around real sites and real workflows
We start with your objectives, product detail and site constraints. Then we map storylines to real processes: installation, commissioning, QA, maintenance, safety or client outcomes. Shot lists are built from drawings, CAD or P&IDs; scripts use the terms your market expects.
Pre‑production covers SWMS, inductions, permits to work, PPE, access windows, drone approvals and insurance. We issue call sheets, risk assessments and location releases. On the day, a tight crew works within your safety rules with minimal disruption. Post‑production turns material into a library of assets: hero edits, platform cutdowns, spec graphics and captioned versions for accessibility and quiet environments.
Safe and compliant on site
Content that fits web and sales
Delivery for every platform
Filming on industrial and construction sites
We plan production to work inside your WHS framework. That means SWMS, risk assessments, white‑carded crew, PPE, spotters where needed and adherence to isolation or lockout rules. We coordinate access windows, hot works and power downs, and we keep crew footprints small to reduce disruption. Drone work is done by CASA‑licensed pilots under ReOC with location assessments, airspace checks and neighbour notifications if required.
Audio and lighting setups are designed for noisy, reflective spaces. We manage radio interference, trip hazards and exclusion zones. Where filming near the public, we secure permits and signage. Every job carries public liability cover and equipment is test‑and‑tagged. You get a clean, safe shoot that respects your site and keeps operations moving.
Editing, graphics and delivery built for business use
We cut interviews and process footage into concise stories, then add on‑screen specs, lower thirds and product callouts. Need exploded views or internals? We combine footage with 3D renders and motion graphics for clarity. Captions and transcripts are supplied for accessibility and quiet viewing. Loudness is matched for platform: online around −14 LUFS, broadcast to local standards. Colour is graded to Rec.709 with brand‑matched looks.
You receive a 4K master, web‑ready encodes, and platform cutdowns at 6, 15, 30 and 60 seconds. We include thumbnails, safe‑area framing, and versioned files named to your convention. Reviews run through Frame.io with time‑coded comments. Delivery can push straight into your CMS, DAM or ad accounts, or we provide a structured handover pack.
Get a video plan and cost
Send your brief, site rules and any sample assets. We’ll return a production plan, schedule and estimate.Think we might be the right fit?
Contact Us
